2) The eight public playhouses, in London, during the reign of Elizabeth I, were in
the order of erection: (1) the Theater, (2) the Curtain, (3) the Rose, (4) the
Swan, (5) the Globe, (6) the Hope, (7) the Fortune, (8) the Red Bull.[1]
3) In the play Measure for Measure, Shakespeare’s
character Lucio refers to catching syphilis by drinking out of the same cup after
someone who is infected.
Lucio. … I will, out of thine own
confession,
learn to begin thy health; but, whilst
I live, forget to drink
after thee. (I.ii.37-8)
At the time, a health was generally drunk by handing a single cup around the company.
4) The Tudor version of a Band-Aid to close and cover small
cuts was the common cobweb. This is referred to in Shakespeare’s Midsummer
Night’s Dream (III.i.185-7) when he asks the name of one of a troop of
fairies.
Bottom. I cry your worships mercy
hartily; I beseech your worships name.
Cob. Cobweb.
Bot. I shall desire you of more
acquaintance, good Master Cobweb: if I cut my finger, I shall make bold with
you.
5) Rev. Ellacombe[2]
informs us that, in Shakespeare’s day, a suitor’s prospects with the girl of
his desire were reflected in the freshness of the flower called “Bachelor’s
Button” worn in his button-hole. So long as he was succeeding, it would remain
fresh. If it began to wilt, he was failing. Thus the following quote from The
Merry Wives of Windsor (III, ii.67-70).
Hostess. What say you to young Master
Fenton? he capers, he dances, he has eyes of youth, he writes verses, he speaks
holiday, he smells April and May; he will
carry’t, he will carry’t ; 'tis in his
Buttons; he will carry't.
6) In Two Gentlemen of Verona (II.ii.) the following
passage describes the customary act of betrothal or engagement in Shakespeare’s
time. Often it would be done in church before a priest or minister but not
always.
Julia. Keep this remembrance for thy
Julia's sake.
[giving a ring.
Proteus. Why then we'll make exchange;
here, take you this.
Jul. And seal the bargain with a holy kiss.
The ritual is again described in the play Twelfth Night.
7) In the Ulysses and Agamemnon section of Troilus and Cressida, among the insults Thersites rains upon Ajax is
thy horse will sooner con an oration than thou
learn a prayer without book.
In Shakespeare’s time, “without book” was the phrase used
for learning a thing by heart.
8) In All’s Well that Ends Well (iii.iv.) Bertram’s
fellow lords tell him, concerning his false friend Parolles, who has betrayed
him,
if you give him not John Drum's entertainment, your inclining
cannot be removed.
“Jack Drum's entertainment” was the equivalent of our modern
image to beat someone like a drum.
9) In George Peele's Battle of Alcazar, acted on
stage well before 1594, there appears the line: "a horse, a horse,
villaine, a horse!" Shakespeare’s “A horse, a horse, my kingdom for a
horse” would seem to have been suggested by that play.
10) George Peele appears in the first extant Matriculation
Book of Oxford University in 1564 as a member of Broadgates Hall. The hall
would later become known as Pembroke College. A number of Shakespeare’s plays,
during the second phase of his development, began all or in part as plays written
together with Peele.
[1] Thorndike, Ashley H. Shakespeare’s Theater, 43.
[2] Ellacombe, Henry N. The Plant-lore and Garden-craft of Shakespeare, 27.
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